![]() He coldly and cruelly dismisses her by feigning interest in Hong-ja and returns the camera to Sun-im as she leaves by train. She tells him how she had visited him while he was in the military, but was denied a chance to meet him, and gives him a camera he had, reminding him how he always wanted to become a photographer. Hong-ja, then a restaurant owner, takes interest in him. Young-ho is just starting out as a policeman and is pressured by his peers to torture a crime suspect, presumably a student demonstrator. The woman Young-ho had a one-night stand with fruitlessly waits for him. The next morning, they catch the man and return to the police station. While his fellow police officers wait to catch the man in question, Young-ho fruitlessly searches for Sun-im and instead ends up on a one-night stand with a woman. There, he and his fellow police officers capture the wanted man. This leads Young-ho to Kunsan, coincidentally Sun-im's hometown. While getting a haircut, he encounters the man he later meets at the restaurant, apprehends him, and brutally tortures him for information about another man's whereabouts. Young-ho is a police officer, his wife about to deliver their daughter. As Hong-ja's grace becomes a bawl, Young-ho storms out of the house. Finally, Young-ho is shown with his wife and daughter at their new house, eating with his colleagues. In an awkward bathroom exchange, Young-ho asks the man if life is beautiful he agrees. ![]() Young-ho tells him that he quit the police force two years ago. After having sex with his assistant, Young-ho dines with her and coincidentally encounters a man he has not seen in years. Young-ho is unable to claim moral high ground, since he is also shown having an affair with an assistant from work. He sells it nevertheless.Īt first glance, Young-ho appears to be a rather successful businessman, but the problems in his life become clear when he confronts his wife, who is having an affair with her driving instructor. A tear trickles down Sun-im's face.īefore parting, Sun-im's husband gives Young-ho an old manual camera. Young-ho is taken to visit a comatose Sun-im in a hospital, and presents her some peppermint candies that she used to give him while he was in the military. After confronting his former business partner and ex-wife Hong-ja, the husband of his old flame Sun-im pays him a surprise visit. He spends the last of his money on a pistol and contemplates who he should kill while he takes his own life. While driving, Young-ho hears on the radio about a member of the group announcing their imminent reunion. Facing an oncoming train, he exclaims "I want to go back again!" in a freeze frame. After causing general mayhem with his deranged antics, he leaves and climbs atop a nearby train track one of the friends tries to convince him to abandon suicide, but the others ignore him and dance. A middle-aged Korean man named Kim Young-ho wanders to the group the members have not heard from him in many years and have limited knowledge of his past 20 years. Each section is preceded by a 10 to 15 second-long shot from the top of a train as it heads out of a tunnel towards mountains, with variations.Ī group of friends have gathered by a river for a picnic for the first time in 20 years. They are presented in the order in which they are presented in the film. The film is divided into 7 sections, each dated and titled. It won multiple awards at the Karlovy Vary International Film Festival and won the Grand Bell Awards for best film of 2000. Spurred by the success of Lee Chang-dong's directorial debut, Green Fish, Peppermint Candy was chosen as the opening film for the Busan International Film Festival in its first showing in 1999. It was well-received, especially at film festivals. It was the ninth highest grossing domestic film of 2000 with 311,000 admissions in Seoul. ![]() The film opens with the implied suicide of the protagonist and uses reverse chronology to depict some of the key events of the past 20 years of his life that led to this point. Peppermint Candy ( Korean: 박하사탕 RR: Bakha Satang) is a 1999 South Korean drama film by Lee Chang-dong, his second.
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